Snakes & Ladders with Miles Aldridge

Snakes & Ladders with Miles Aldridge

Miles Aldridge is a British photographer celebrated for his hyper-saturated, cinematic images that blur the line between glamour and unease. Working almost exclusively on film and shooting from meticulously pre-planned sketches, his practice reflects a distinctive visual language rooted in colour, composition and theatrical intensity.

Snakes & Ladders: The (Unexpected) Moves That Shape a Life

Careers rarely move in straight lines. They jump forward, stall, and sometimes send you backwards when you least expect it. Like snakes and ladders, it’s often the unpredictable moments—the ones that challenge or surprise us—that shape the direction we take.

What advice would you give someone starting from square one?

Move to square two—find an appropriate stepping stone to your ambitions. I wanted to make films and thought photography would be a good stepping stone to that.

 

When did you feel you had found your artistic identity and was there a specific moment that contributed to this?

I fell into photography and worked within the vernacular of magazine editorials—after a short time I became bored by the pictures I was making. I picked up a pencil and started sketching new ideas—this was a breakthrough.

 

And a setback that turned out to be a redirection?

The slow death of magazines led me to consider showing my images in galleries. Like a plant we grow towards the light.

 

How important was art to you growing up?

My father was a famous artist so Art was there with me everyday.

 

Who do you rely on for advice when you need an honest answer?

Myself.

 

What does "taking a leap" actually look like in your experience?

Avoiding self parody.

 

What's a lesson you had to learn more than once?

Don’t get married (joking).

 

When have you felt most "on the right ladder"?

You have days like that all the time but a snake is always around the corner.

 

A place that you return back to when in need of inspiration?

Any Art Museum in any city.

 

Is there a song that takes you back to a specific moment in time?

Frankie Goes To Hollywood—Xmas 1983 at art school. 

 

If you were playing a second game, which career route would you have taken?

As David Hemmings the fictional photographer in Blow Up states “if only I had loads of money then I’d be free”. Money is always an attraction when you don’t have it but it’s also a trap.

 

Miles will be bringing his '15 Minutes of Fame' Polaroid portrait studio to Mayfair this October, offering one-off sittings during Frieze and PAD London as part of the Mount Street Neighbourhood Arts Festival. Bookings can be made via shopmilesaldridge.com.